Rupert Lyddon and Lawrence "La" Rudd are Grand National. Originally a Police cover band, Grand National has recently made their debut in America after releasing their first LP, Kicking the National Habit, in their home, the UK, in late 2004. Their sound is dance, rock, new wave, postpunk, and Britpop, all rolled into one accessible package. Although their "dance-rock" label may bring warranted comparisons to bands like The Bravery or The Killers, Grand National is far more musically mature. Incorporating reggae beats, brass, and other organic sounds along with the synthesizers of their contemporaries, the duo stays true to their original musical muse, The Police. All comparisons aside, Grand National is a fresh, complex, and spirited band, eager to deliver expertly crafted music you can rock to on an international dance floor.
All right kiddos, sit down 'cause The Fratellis are here to offend you in the most welcomed way you ever thought was possible. That's right - don't expect any epiphanic moments with this trio. No, these boys are just singin' about how they're looking for a bit of fun here and there...in bed - most likely. This Glasgow trio is composed of John, Barry, and Mince Fratelli. Brothers? Not really. Barry's the only Fratelli here, and it doesn't take a DNA test to verify that the fellow isn't related to the two other guys. It only took a few well-placed record shop ads before the triumvirate began funneling their unchaste tunage through pub speakers in 2005. Fast-paced and rather friendly with the strings of the guitar, The Fratellis exhibit a mix of sounds from the various UK acts streaming out of those isles. Flathead in particular shows a rather keen marriage between The Archie Bronson Outfit and The Arctic Monkeys - oh shush, you know you like them even just a little bit. As always though, it's the tambourining, handclaps and the "why of course I'd be happy to sing along!" choruses that grabbed me...in bed. The Fratellis' debut album Costello Music was released in the UK September 11, but US release plans are rather unknown...
Yay! It's my first contest -- all the others have been Brad's doings. Mine will prove to be tougher than Brad's -- you guys will actually have to work.
If a list were ever to be compiled of bands I can easily speak fondly of, you can bet your bippy that The Grates would be nestled somewhere in there. This Australian trio carries the typical frenzied glee that laces much of the countrinent's musical exports. I've said it before, and yes, I'll say it again - The Grates are just one variation of the condensed euphoria exported by Australia on a bimonthly basis. So what's the latest product being offered by The Grates to bounce your days into delight? Hrm, why I believe that would be the trio's first full-length - Gravity Won't Get You High. Gravity manages to capture the frolicky aura that is The Grates, and I was expecting nothing less from the band that treats their concerts like birthday parties. After all, taking all those birthdays in mind, you'd expect a band that's turned oh say 200 years old to know what they're doing. Gravity will be no stranger to the Grates fan; it carries the typical favorites like Lies and 19 20 20 while sprinkling in some newer surprises to embrace with tracks such as Science Is Golden. Yes, the apple never falls far from the tree indeed, and Gravity still holds well in the natural environment of balloons, ball pits, and birthday cake. Overall, Gravity never strays from the box of fun that is The Grates and garners from this child four out of five trampoline jumps for all its fun and streamers.
The Black Heart Procession. The band would be fitting in a Bond, Moulin Rouge, or Kill Bill soundtrack. James completely flooring a bimbo at some lavish ball, dancing prostitutes being serenaded by buff men wearing eyeliner, Uma Thurman driving her convertible through a winding canyon... Yes, The Black Heart Procession would be appropriate in any of these movies. Their sound is dramatic, with a slew of instruments, including, but not exclusive to, the standard drum kit, guitar, bass, and keyboard, in addition to electronic samplers, the violin, the standup bass, and the saw (oh yes, the saw can indeed be played). As for vocals, BHP has a chorus-like feel. Vocal layering is evident and prominent in all their songs. For one lone voice to dominate a song is for The Black Heart Procession not to be The Black Heart Procession. The band has recently wrapped up a huge American tour after the release of their newest album The Spell. Yea, aw, we missed them. But do not fret, they'll be back... maybe... sometime... later... check out their songs...
Ah it's that (and if you're a gal, that other) time of the month again, if you're not familiar with Bishop Allen's plans for this year, it goes like this - Bishop Allen is a band that hails from Brooklyn, and took a nice hiatus shortly after their debut hit Charm School in order to write their (currently) label-less album Clementines. As that album strolls about waiting for release, they're going to distribute an EP every month for a year - yes, every month. I know August was released how many days ago, but I thought it'd be better to hold off on the August announcement here at Both Sides since we had that Monthstravaganza Contest goin' on. Well before I make the winner known, let me announce something else - August. Now August was delayed some, because August takes a bit of step off the usual Bishop Allen monthly EP plan. In what way you ask? Well it just so happens that August is longer than your usual EP, and with 13 tracks, it's rather much of an album of live tracks. Yes, live tracks. You see, the actual month of August was spent by Bishop Allen either on the road or off it playing gigs. The August EP is their way of sharing that month of road trekkin' with you. The tracklisting for the month includes "a coupla chestnuts from Charm School", Bishop Allen's favorites from EPs already released, plus two unreleased tracks. Oh yeah, it's still only $5! So what are you waiting for? Get yourself to Bishop Allen's site, your cart's getting lonely...
Wrong! They are not lesbian lovers; CoCoRosie is, in fact, a sisterly duo, consisting of Bianca and Sierra Casady. (The picture doesn't display that fact all that well, I am aware, but it shall be explained later on.) Growing up, Bianca was nicknamed "Coco" by their mother; Sierra was "Rosie." Alas, CocoRosie! Although they may seem extremely comfortable with each other above, Bianca and Sierra were not always bosom buddies. Growing up in an extremely estranged, fleeting household, the sisters found themselves moving from reservation to reservation (they're half-Cherokee), state to state, country to country. When Sierra was kicked out of the house at age 14, she and her sister lost contact. They did not reunite until almost a decade later, in Sierra's tiny apartment in Paris. Once together, they decided to experiment musically in the bathroom, the most acoustic room in the place. After a month of musical mixing in the bathtub (get the picture, now?), their debut album La Maison de Rêve was born. Featuring toys, beatboxing (done by Bianca), bleeps, bloops, tape hisses, flutes, and of course, their striking voices (completely different from each other, by the way), CocoRosie has an undeniably trippy sound. Psychedelic, yet folkish, with hip hop influences, the pair can be classified as anything but normal. Their latest album release was in 2005, with Noah's Ark, which is undeniably the most ambitious of their works. They plan to release another album in the spring of 2007, with a consequent Brazilian and American tour. Needless to say, CocoRosie has cemented the girls' sisterhood.
I don't know how it is where you are, but here in Otherwheres - Well I have to celebrate the rebirth of The Office, so here's a tune from me to you to celebrate the fact that Michael gets to once again make a bum of himself and Dwight's gonna be all...Dwight-y.
Bonus MP3: Office - Oh My
Otherwherse - Covert Curiousity has a great It Came from the
Otherwheres - I think Dodge is like the master of covers now or something...
You heard Chan (pronounced "Shawn"). Spay and neuter your loved ones.
So what does make Milwaukee famous? It's rich German history? The fact that despite being of the Great Lakes region, Milwaukeeans are more likely to refer to soft drinks as "soda" rather than "pop"? Perhaps they're famous because of this band? Well maybe the first two, but this band is actually a quartet that formed in Austin, and the only ties they have with that Wisconsin city lies in their name. What Made Milwaukee Famous compose tunes of a rather sporadic nature, and if you've listened to their debut album Trying To Never Catch Up, I think you'd agree. Now usually a band that can't keep to one musical manner in a debut album just have no idea who their band character is. WMMF, however, are meant to hopskotch the squares between happy-go-lucky and darky-go-broody. Overall though, if there's anything to love, it's their melodic pop gems laced with twangy jangles; pop in some tambourining, a bit o' clapping and group chorusing and I got me a new iPod buddy. What Made Milwaukee Famous rummaged about label-less during their climb to popularity - they were unsigned when they first played ACL and began to really prick up some ears during SXSW in 2005. To celebrate their sign with Barsuk Records, home of Starlight Mints and John Vanderslice to name a few, Trying To Never Catch Up was rereleased last month with four new songs that had the pleasure to be recorded in Spoon drummer Jim Eno's Public Hi-Fi Studio. As always, What Made Milwaukee Famous, yet another Austin gem.
Aww... they're such cute little lovebirds... Kori Gardner and Jason Hammel, the indie world's happiest married couple, has been proclaiming their love to the world through sweet, melodic power pop for five years now. They sing together, play their respective organ and drums together, and come up with extremely cheesy song titles together (i.e. "Like U Crazy"). Their complete infatuation with each other may be a bit sickening, but the catchiness of their music is undeniable. Their latest album, Bring It Back, is chock-full of tunes you'll be singing in your head after only one listen. Mates of State is just one happy duo. Happy bass, happy organ, happy drums, happy voices. Here's to hoping they never split!
I personally have a fond association with the grizzly bear. It was my state mammal (California, whoot), my first teddy bear (Mr. Bear, whoot, I'm original, whoot), and is now a great four-piece band from Brooklyn (I don't mean to make it sound like Grizzly Bear is brand-new; they were actually birthed in 2004, but they're relatively new, nevertheless). If I had to describe Grizzly Bear with one word, it would be "melancholy," except completely void of any negative connotations that one might have with that word. Extremely low-key, eery, and slow, Grizzly Bear is another one of those bands that makes me want to do karate in slow motion (please don't scoff; that's honestly how I feel). Unlike a lot of their heart-pumping, drum-smashing, guitar-licking peers, Grizzly Bear plays with so much pressing feeling. The sound just seems to be expertly shaped and crafted in such a way that the most meaning spills out. Whether their songs are about deep sea diving or piercing heartbreak, you just know that whatever they're singing, they mean it with all of their heart. Incredibly intense, I know. Grizzly Bear is currently on tour right now, hopping the U.S./Canada border every once in a while so check out the tour date list I've posted and try to catch them!
All hail, Joanna Newsom, harpist-pianisit-harpsichordist-singer-songwriter extraordinaire. A mere 24 years old, Newsom's mature voice and sound rivals that of the more seasoned Fiona Apple and Christine Fellows. A raspy, weathered, and quirky San Franciscan, her music combines indie-pop, Appalachian mountain-girl, and classical sound. Her harp-playing is beautiful and delicate, her harmonies equally so, and it is just our luck that she is touring:
Well I've decided to be deliciously random today.
Remember what I said about blogger's remorse? Posting on a band now past their hype just because I liked them before this blog started? Well I don't know about you but We Are Scientists are always in season, so even though they sort of fall into that blogger's remorse bit, I'd like to think that they don't. I think it was Skatterbrain Matt that mentioned how the bands you love most are hardest to blog about, and surprisingly enough, it's true so bear with me on this one. We Are Scientists is composed of three rather crazy guys from Brooklyn, and their concert blanter, I must say, is highly entertaining. Quite in fact, everything about them is entertaining, and if anything contributes to that its their drive. Their energy just about formulates and explodes right in front of your eyes. No one person is special; they each contribute to the entity that is We Are Scientists. Yes, these three guys were just meant to make music together, and they make their symbiotic stylings known through highly infectious, high-energy music. So how about off the stage and through your speakers? Well, the energy carries on and the tunes are just as infectious. The band have a some tours set for the future, the soonest of which is their The Also-Ran Buzz Bands Tour where they hop cities with Art Brut and Spinto Band all across Americanada. Whats that? You're over the Atlantic? Well don't fret, they're also planning on the British Isles, but (and this makes their source of popularity known) just about 3/4s of that tour is already sold out. So pop a squat and give an ear to We Are Scientists...
Yes, yes, yes, this band is indeed named after the creepy yet lovable creatures from The Gremlins. Needless to say, Mogwai's always had a name change on the back burner, but "like a lot of things we never got 'round to it." Formed in Scotland back in '95, Mogwai is centered around incredibly long and reflective instrumental guitar breaks. Listen to Small Children in the Background, and you'll see what I mean. Distortion and other sound effects are also prevalent in their music, with a bounty of echoes and fuzzy feedback. But if one thing is essential to Mogwai's sound, it is most definitely melody. The bass in Mogwai serves more as another melodic guitar, rather than part of the rhythm. Mogwai is chill, relaxed, play-in-the-background-while-you're-thinking-about-life music. With a new album out last March, Mr Beast, and a European tour in the works as we speak, you should definitely check them out.
Way back when, while Nothing But Green Lights was still Take Your Medicine (now his podcast site), Mike posted on the London-based trio The Bridge Gang. Describing themselves as sounding like a lion eating a hyena, The Bridge Gang, I prefer to think, carry a sound that's just hard, loud rock. The trio - Jose, Lucy and Bret - came together in 2004, I'm guessing, out of necessity; Jose and Bret say no one would dare hire them, and Lucy held a day job that outlined the sale of miniature people to model builders. Off of that, they could have just come together on the basis that they like to make loud noises. Being a threesome, a triad, a crowd, they're limited in the layers they can put out. So what do they do to counteract this limitation? They make LOUD music. Standing in front of a tower of speakers at one of their shows could probably coax an asthma attack. My favorite from these kids and the hook that brought me to them is a little ditty called Sarah's Brother - a grown up nursery rhyme of sorts. Nestled in a commanding drum and guitar beat are lyrics describing the fate of Sarah's brother, but what exactly happened to him is up to you and your imagination. Heads up, listen up to The Bridge Gang and enjoy the rest of your weekend guys...
Though it isn't that time of the month when Bishop Allen release a new four-track wonder, it is time for the two of us here at Both Sides of the Mouth to hold another (our second) contest. If you don't remember what the kids of Bishop Allen are up to, let me take this time to bring you up to speed. Bishop Allen is a band that hails from the bowels of Brooklyn, and decided to take a bit of a break after releasing their debut hit and highly-acclaimed/blogged about album Charm School. During their break, they brewed about and composed tons upon tons of songs for the track list of their next claimant, Clementines. Well, Bishop Allen are (currently) label-less, so what are they gonna do as their second full-length waits for release? Why they're going to a pop out an EP every month of course! The guys are currently seven months in, and not one disc comes to disappoint. Each and every month showcases Bishop Allen's flair for creativity and individual style on top of the plain and simple fact that these kids are just great storytellers.
Yes, yes; another band with a Japanese chick. What can I say; Japan is mad everywhere. I was in Spain for spring break, and you wouldn't believe how many Japanese chicks I saw there. Yeah, in Spain.
I sincerely apologize for the lack of post yesterday. My internet connection was going haywire. But alas, it is fine now and so am I, so here is my post that is now overdue.